The HIT (Homicide Intervention Team) franchise returns with its third installment, delivering another intense crime investigation thriller headlined by Nani's compelling performance as Inspector Krishna Dev. Director Sailesh Kolanu maintains the series' signature gritty realism while escalating both the personal stakes and investigative complexity.
The Investigation
This case follows Krishna Dev as he investigates a series of mysterious deaths initially dismissed as accidents. The investigation takes unexpected turns through Hyderabad's underbelly, with each clue revealing deeper layers of conspiracy. Unlike previous HIT films, this case focuses on corporate crime intersecting with personal vendettas.
What Works
Strengths
- Nani's career-best performance
- Taut second half with intense interrogation scenes
- Authentic police procedural details
- Atmospheric background score
- Well-choreographed action sequences
Weaknesses
- Predictable first act
- Underutilized supporting cast
- Overly complex final reveal
Technical Execution
The film shines in its technical aspects - cinematographer Manikandan's use of shadows creates palpable tension, particularly in the nighttime sequences. The editing maintains strong pacing after the initial setup, with interrogation scenes that crackle with energy. Special mention goes to the realistic depiction of forensic procedures that set this apart from typical masala cop dramas.
Franchise Comparison
While not as psychologically deep as the first HIT or as action-packed as the second, this third case finds its strength in corporate crime realism. It maintains the series' commitment to authentic police work while expanding Krishna Dev's personal journey.
Final Verdict
HIT: The 3rd Case delivers exactly what franchise fans expect - a gripping, well-acted police procedural with enough new elements to feel fresh. Nani's performance alone makes it worth watching, and while the plot has some familiar beats, the execution keeps you engaged throughout. Recommended for fans of investigative thrillers and Telugu cinema's growing neo-noir movement.
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